A Quick Guideline for Landscapes.

Summation: work from the big picture to the little details, not the other way around. Technically, this is a strategy that's applied to every art subject ever... but I'm writing it down, in steps, for my own memory. 

 

  1. Step 1: Block in the colors. 
    I have a major issue with skipping this step. I usually try to get right into the details too quickly. I think that if I don't make it a leaf right away, how else will I know it's a leaf? I'll tell you how: trust this process. Work from the bigger picture to the details, not the other way around.
  2. Step 2: Add smaller forms.
    This is where you form shapes within the big picture - while still making it large and generic. Then little by little, you narrow down and sculpt the color/shapes into an image.
  3. Step 3: Add the details. 
    Now is time to refine. Add the texture, add the grass, add the leaves. A useful tip: use a leaf brush as a negative... so you end up forming a leaf by stamping the brush with the surrounding colors instead of using it as the leaf itself. It creates the form without losing the underlying colors and texture. (y)

The Making Of: Classic Dallas & Milo.

What a cool commission idea requested by Dallas of him and his cat, Milo.

t's fun to see these things come to life. I kept the background on this one a little more "unfinished" looking. I thought it added a great texture and atmosphere. The tail change was a last minute request by the client.

Artist Signature.

Here I go, getting all bold by adding my real identity with my artist handle:
 


I used to hide behind an ambiguous logo.
It started out as a symbol. It was a watermark that I used to stamp on photo manips I made in Instagram... then it morphed into something I tried to make into a "brand." After a while, I still felt like it was ambiguous and wasn't 'me'. 
Since I've gotten more confident in my digital illustrations, I've started to want to sign them, rather than merely watermark them. I'm sure this won't be the last signature style I'll ever use, but this is a mark of a transition. I'm dropping the random swoosh. It is a new dawn, a new day, a new life. 

And I'm feeling good.

The Making of The Fool.

This illustration is of a character in Robin Hobb's "Realms of the Elderlings" series. This character is mysterious, pale, quick of tongue, and been known to be mistaken as a woman. This character has orchestrated several events in the series, and we are all left to wonder who really pulls the strings.

Featured in Subrosa Magazine's "Restoration" Issue.

This is Subrosa Magazine 's "Restoration" issue published for July, 2016. The whole magazine is available for print and purchase.

I am very honored and excited to announce that my work has been featured in a magazine. Subrosa Magazine features local Columbus Ohio artists or artisan businesses along with art of all kinds from all around. 

I never really realized that my artistic journey is probably not unlike any other artist's. Whether you're holding yourself back from taking the step, or simply haven't recognized you're talent yet, take the plunge.

It probably goes without saying that I am humbled and uplifted to have such a large feature in their publication. There is nothing quite like the affirmation of a group of people publishing your artwork by their own selection and esteem. I hope to continue to create works that awe and inspire everyone... and myself.